Media Room

2010 Festival Highlights

Still from How I Filmed the War

How I Filmed the War

One the most successful films ever made, The Battle of the Somme, shot and edited by Geoffrey H. Malins during the First World War, is brilliantly decoded in this riveting experimental doc that unravels fascinating secrets and manipulations. A compelling contemplation of the ownership of history plays out on intertitles taken from excerpts of Malins’s controversial autobiography juxtaposed with conflicting historical accounts and emotionally devastating clips from the original film. Dispatched to the front as Britain’s “Official Kinematographer,” Malins filmed from the muddy trenches to capture the valour and...

Still from The "Socalled" Movie

The "Socalled" Movie

If Woody Allen and Lil Wayne had a love child it would be Josh Dolgin, a.k.a. "Socalled". Hip-hop meets klezmer music in this kaleidoscopic portrait of the unstoppable gay musician, magician, songwriter, visual artist, and filmmaker.

Still from The Woman with the 5 Elephants

The Woman with the 5 Elephants

Great writers create text that moves; great translators inhabit that movement. At 85, Swetlana Geier is the leading translator of Dostoyevsky into German. Inexhaustible and independent, she weaves stories that unlock the secrets of her craft.

Still from General Orders No. 9

General Orders No. 9

A stunning and accomplished work, this experimental doc contemplates the signs of loss and transformation in the American South as potent metaphors for personal and collective destiny.

Still from American Radical: the Trials of Norman Finkelstein

American Radical: the Trials of Norman Finkelstein

As a devoted son of Holocaust survivors, a disgraced academic, and a fierce critic of Israeli policy, it’s never been easy for Professor Norman Finkelstein. This intimate portrait captures the lonely fight of this passionate and complex provocateur.